Historical or contextual introduction
When most people think of Santa Marta, they imagine the sun setting over el Rodadero, the smell of ceviche, and the sound of vallenato blasting from a sound car. And yes, that is part of the soundscape. But there is another Santa Marta that beats in the dirt streets, in the improvised studios of Taganga, and on the slopes of the Sierra Nevada. That city has a different rhythm: one that comes from gaitas, African drums, and borrowed synthesizers.
For about five years now, a generation of young musicians from Santa Marta began to wonder why the sound of their land had to be limited to what the radio stations play. They started dusting off pre-Columbian instruments like the carrizo and the gaita hembra, mixing them with electronic beats, and recording in rented rooms with borrowed microphones. The result is a music scene that doesn't appear at big festivals or on algorithm-curated Spotify playlists, but it is alive, real, and smells of the mountains, the sea, and cultural resistance.
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This article is for the traveler who is tired of the same old reggaeton and wants to hear what truly sounds in the heart of Santa Marta. Here you won't find names of international DJs or luxury nightclubs. You will find those who play in the square, those who record in wattle-and-daub houses, and those who keep alive a tradition that was almost lost.
What to do
The rebirth of the gaita and the carrizo: Young musicians reviving pre-Columbian instruments
In the Sierra Nevada de Santa Marta, indigenous peoples like the Kogui and the Arhuaco have used the gaita and the carrizo for centuries. But until recently, these instruments were almost exclusively the heritage of indigenous communities or elderly folk groups. That changed when a handful of urban musicians, raised between the concrete of the Historic Center and the paths of Minca, decided that these sounds deserved a place in the 21st century.
One of the most prominent names in this movement is Los Gaiteros de la Sierra, a collective with no fixed lineup: they form depending on who is in town. They play on the small square of the Church of San Francisco, on Saturdays at sunset, with a gaita macho, a gaita hembra, a llamador drum, and a carrizo that imitates the song of birds. They have no official social media, but if you ask at the craft store on Calle 16, someone will give you the exact time.
There is also the case of María Camila "La Gaitera", a 27-year-old from Santa Marta who learned to play the gaita by watching YouTube videos of Wayúu masters because there was no school in Santa Marta. Today she gives free workshops on Wednesdays at the Casa de la Cultura in Taganga, where she lends instruments to anyone who wants to try. "The gaita is not just a stick with holes," she says. "It is a way to tell the world that there was music here before the Spanish arrived."
If you want to hear this live, the best time is during the Fiesta de la Gaita, held every August in the village of Guachaca. But if you can't wait, look for accounts like @gaitassamarias on Instagram, where they post impromptu jam sessions in parks and street corners.
Champeta de la Sierra: The fusion of African rhythms and indigenous sounds few know about
Traditional champeta comes from Cartagena and the Afro-Colombian roots of the Caribbean. But in Santa Marta, a group of young producers gave it a twist: they added the chants of the Sierra, the sounds of nature, and the low frequencies of indigenous drums. The result is what some call champeta de la sierra, a genre that sounds like a party but with a spiritual undertone.
The pioneer of this is Danny Sierra, a producer who grew up in the La Lucha neighborhood and now has his studio in a wattle-and-daub house in Minca. His track "Cumbia del Jaguar" mixes a sample of an Arhuaco chant with a champeta beat and a bass that seems to move the earth. You can find it on SoundCloud under the username @dannysierra_samario. It's not on Spotify, because Danny says "platforms take the soul out of music."
To hear champeta de la sierra live, you have to go to the Night of the Drums at the Public Market. This weekly event doesn't appear on Google or Facebook. It happens on Thursdays at 7 pm, in the back part of the Public Market of Santa Marta, near the dried fish stalls. There is no stage, no lights. Just a circle of people around drums, gaitas, and a portable speaker. Entry is free, but you are expected to buy a corozo juice or a patacón from the market vendors, who organize the evening.
Home studios in Taganga: Where emerging artists record and how to visit them
Taganga, that little fishing village 10 minutes from Santa Marta, is not just beach and backpackers. In its steep alleys, there are a dozen home recording studios where the city's alternative music scene is brewing. Most are adapted rooms with sound foam bought on Mercado Libre and equipment that musicians share among themselves.
One of the best known is Estudio El Faro, on Calle 5 with Carrera 2, two blocks from the beach. It is run by Carlos "Caco" Mendoza, a native of Santa Marta who played drums in Bogotá rock bands and returned to his land to set up a space where anyone can record for 20,000 pesos per hour (reference price June 2026). Here, everyone from experimental champeta groups to ambient electronic soloists who sample the sound of the waves have recorded.
Another studio worth knowing is La Casa del Sonido, in the upper part of Taganga, near the viewpoint. It has no sign, but you recognize it because the facade is painted turquoise blue with a drawing of a drum. There, producer Andrés "El Chino" Páez organizes open sessions on Sunday afternoons, where anyone can come to play, record, or just listen. Bring your own instrument if you have one, or if not, he lends an out-of-tune acoustic guitar that has more history than strings.
If you want to visit these studios, the best way is to contact them via WhatsApp (you can get the numbers by asking at the corner store on Taganga's main square, where Doña Martha sells mango juice). Don't expect a quick reply: here, music is made when the mood strikes, not when the schedule says so.
The Night of the Drums at the public market: A weekly event not on social media
We mentioned it before, but it deserves its own section: the Night of the Drums is probably the most authentic musical experience you can have in Santa Marta. No flyers, no Instagram, no cover charge. Just the rumor that spreads by word of mouth among the fishermen and artisans of the Public Market.
On Thursdays, when the market closes at 6 pm, a group of about 30 musicians gathers in the back, where the trash containers and empty wooden crates are. They bring drums made from ceiba tree trunks, carrizo gaitas, and totumo maracas. Some bring portable speakers to amplify the sound, but most prefer it raw. The session lasts until the police arrive to ask them to turn down the volume, which usually happens around 10 pm.
There are no hierarchies here: anyone can pick up a drum and join in, as long as they respect the rhythm. I've seen German tourists try to follow the beat while a 70-year-old grandfather corrects them with a smile. The music played is a mix of traditional cumbia, champeta, and indigenous rhythms that have no name in Spanish. It is the sound of the Sierra put into a drum.
To get there, walk to the Public Market (Calle 10 with Carrera 5) and follow the smell of fried fish and the sound of drums. Don't arrive before 7:30 pm, because the musicians are eating. Bring cash to buy a beer or a juice from the market vendors, who sponsor the event out of their own pockets.
Insider playlist: Songs from 3 local bands that define Santa Marta's current sound
If you can't come to Santa Marta yet, or if you want to warm up your ears, here are three songs that capture what's playing in the hidden scene. Don't look for them on the charts: they are on Bandcamp, SoundCloud, or YouTube with 200 plays.
- "Cumbia del Jaguar" – Danny Sierra: As we said, this track is the definition of champeta de la sierra. It sounds like the jungle, a drum, and a party that never ends. Available on SoundCloud (@dannysierra_samario).
- "Río de Gaitas" – Los Gaiteros de la Sierra: A 12-minute instrumental piece recorded live on the small square of San Francisco. The gaita hembra carries the melody while the llamador drum sets a hypnotic pulse. On YouTube, search for "Los Gaiteros de la Sierra Santa Marta 2025."
- "Taganga Dub" – Carlos Caco Mendoza: A mix of reggae dub with sounds of Taganga's nature: waves, birds, and a boat motor. Perfect for listening with headphones on the beach. Available on Bandcamp under the username "estudioelfaro."
Where to eat or drink
Market food before the Night of the Drums
Before going to the Night of the Drums, eat a patacón with hogao at Doña Lola's stall, inside the Public Market. It costs 5,000 pesos (reference price June 2026) and is served on a plastic plate with a smile. If you prefer something liquid, order a corozo juice at the corner stall: it's sour, sweet, and awakens your senses for the music.
Food in Taganga after visiting the studios
If you spend the afternoon at the Taganga studios, end the day at La Pizzeria del Mar, on the main street. Don't expect a gourmet pizza: it's thick crust, melted cheese, and lots of garlic. For 15,000 pesos you get a personal one. But the real attraction is the terrace, where sometimes the musicians from the studio sit down to play acoustic guitar as the sun sets.
How to get there and transportation
How to get to the public market for the Night of the Drums
From the Historic Center, walk 15 minutes towards Calle 10 with Carrera 5. If coming from el Rodadero, take a bus that says "Mercado" on the route (costs 2,500 pesos) and get off at the market stop. I don't recommend going by car because parking is complicated and there is a lot of cargo movement.
How to get to Taganga
From downtown Santa Marta, take a bus that says "Taganga" on Carrera 1 with Calle 22. The trip takes 20 minutes and costs 2,800 pesos. You can also take a mototaxi for 10,000 pesos, but negotiate the price before getting on. Once in Taganga, the studios are on the steep streets: walk up, because mototaxis don't go everywhere.
How to get to the gaita workshops at the Casa de la Cultura
The Casa de la Cultura in Taganga is on the main square, two blocks from the beach. It is a yellow building with a tiled roof. The gaita workshops are on Wednesdays at 4 pm. No registration needed: you arrive, play, and learn.
Local tips
- Bring cash. Most events in the hidden scene don't accept cards or Nequi. Musicians sell their albums on USB or burned CD, and charge in cash. Withdraw money from an ATM before you go.
- Don't use your phone to record everything. At the Night of the Drums, the musicians ask you to put your phone away. They say the camera steals the energy from the music. Enjoy with your ears, not the screen.
- Respect the timing. In Santa Marta, "at 7" can mean "at 8:30." Don't stress. The music starts when people arrive, not when the clock says.
- Ask the locals. If you see someone with a drum on the street, ask them where they play. People from Santa Marta are open and will invite you to a jam session or a studio. Don't be shy.
- Buy an album. Independent musicians sell their productions on USB for 10,000 or 15,000 pesos. Bring an empty USB or pay for the one they offer. It's the best way to support the scene.
Frequently asked questions
Is it safe to go to the Night of the Drums at the public market?
Yes, it is safe. The Public Market has its own dynamics, but the Night of the Drums is a community event where people know each other. Bring only what you need, don't flash valuables, and as anywhere in Santa Marta, keep your belongings close. The musicians themselves watch over the circle.
Do I need to know how to play an instrument to join the gaita workshops?
Not at all. María Camila "La Gaitera"'s workshops at the Casa de la Cultura in Taganga are designed for beginners. She lends the gaitas and teaches you from scratch. All you need is patience and a willingness to learn. It doesn't matter if you've never played an instrument.
Where can I listen to music from the hidden scene if I'm not in Santa Marta?
Search for the profiles @dannysierra_samario and @estudioelfaro on SoundCloud. On YouTube, the channel "Los Gaiteros de la Sierra" has live videos recorded on cell phones. There is also a Facebook group called "Música Experimental Santa Marta" where artists share their releases. Don't expect to find everything on Spotify: this scene lives on alternative platforms.

